Fenwick Lawson – St Aidan’s Lindisfarne
The remarkable work of sculptor Fenwick Lawson. Monks carry the coffin of Cuthbert (The Journey – 1999).
Lara Almarcegui
Another artist exploring an archaeological sensibility – Rotterdam based Lara Almarcegui. Secession – at TENT, Rotterdam.
Song Dong | YBCA
Song Dong at Yerba Buena Center for the Arts in San Francisco. Dad and Mom, Don’t Worry About Us, We Are All Well is a large-scale installation called Waste Not. It comprises over 10,000 items ranging from pots and basins to blankets, bottle caps, toothpaste tubes, and stuffed animals collected by the artist’s mother over [...]
The Baltic, Newcastle
At the Baltic Arts Center, first visit in a long while – last time it was Anthony Gormley – [Link]. This time – Anselm Keifer and his remarkable workings with memory, materiality, guilt and landscape. I’m waiting for the fog to clear at Heathrow. Lovely winter views out over the Tyne. (Photos taken on the [...]
Science is Culture
My conversation, back in 2007, with artist Lynn Hershman Leeson about artifacts, memory, art, forensics, archaeology appears today in a new collection – “Science is Culture: Conversations at the New Intersection of Science and Society” [Link] Seed magazine brings together a unique gathering of prominent scientists, artists, novelists, philosophers + other thinkers who are tearing [...]
Mike Pearson | The Persians
Classics and the contemporary past Mike Pearson and his new production of Aeschylus Persians (National Theatre of Wales) gets a superb review in the Guardian today [Link] This is site-specific theatre with a vengeance. High up in the Brecon Beacons, in a mock-up village used by the military as a training-base, National Theatre Wales is [...]
SFMOMA – The Art of Participation 1950 – Now
Life Squared [link], our installation in the online world Second Life, is currently part of the exhibition The Art of Participation 1950 – Now at San Francisco Museum of Modern Art. Life Squared – web link and gallery link. More links – Linden Lab/Second Life and Wired magazine The exhibition, curated by Rudolf Frieling, is [...]
The photographs of Edward Burtynsky and the animated museum
The touring exhibition of the wonderful photographs of Edward Burtynsky reaches the Cantor Arts Center today and runs till September 18. Nickel tailings #30 – Sudbury, Ontario Like Gursky, [Link] Burtynsky works in large format – the pictures are up to 5 feet across. His subjects are envrionmental impacts. Great holes in the ground like [...]
Gary Hill – theater archaeology?
Gary Hill in the Colosseum – part of the Presence Project at Stanford.
Gary Hill’s theatre/archaeology at the Colosseum
Rome Risonanze Oscure Dark Resonances We are at the Colosseum, the Flavian Amphitheatre – me, Nick (Kaye) and Gabriella (Giannachi). It is 10pm. Across the street beneath the temple of Venus we have been looking at flickering images of what look to me like archaeological sediments projected into the foundation arches, behind the protective iron [...]
Joseph Beuys and the archaeological
Tate Modern London. I am still reading today’s Arts section of the Guardian – this time Adrian Searle’s preview of the Tate Modern’s new exhibition of Joseph Beuys [Link] Beuys wasn’t being mischievous or disingenuous when he said there was nothing to understand (in his work). He may have been wrong to believe everyone could [...]
Iain Sinclair and the urban imaginary
A fine piece of writing from Iain Sinclair, a bit overblown maybe, in The Guardian today about the Thames in the urban imaginary that is London – Paint me a river. Liquid prompts guide our steps towards the scintillae of the supremely visible Thames. Here begins the work of poets and painters, their argument and [...]
found photos – portraits and physiognomy
In Boing Boing today – found photos from the Arkansas State Prison 1915-1937 – [Link] I liked the caption: In 1975, documentary artist Bruce Jackson found a bunch of old prison photos in a drawer in the Arkansas penitentiary. The people being photographed have no interest in the photographs being made; the people making the [...]
everyday horror and repressive normality
An archaeological sensibility I regularly post about the horror that lies just beneath the surface of things, everyday normality rooted in the uncanny secret lives of things – have a look at Horror and disclosure – a scene of crime clings to its past Joe (Adler) has just sent me word of Die Familie Schneider [...]
the database imaginary
– another reason for the importance of categories and databases One of my interests is the way we use databases to organise and administer the collections that are at the core of our archaeological lives. (And have played a crucial role in state society since ancient Mesopotamia.) Databases – sounds dull and tedious? Have a [...]
Media trips – digital trash and garbology
A new blog devoted to remix and sampling – Media trips Here’s an entry of theirs from October 20 – Check out the newly posted projects at the recently launched online exhibition Digital Recycling at The Stunned Net Art Open 2004, where one person’s trash is another’s treasure trove: What’s more, you can participate by [...]
Mike Pearson and theatre/archaeology
Mike Pearson, performance artist, was in Stanford this week. We wrote the book Theatre/Archaeology together. He talked to our New Media Workshop about recent work of his, and then to the Archaeology Center about his research into what really went on in the expeditions to the Antarctic back in the early 1900s. Both were provocative. [...]
the aesthetics of the archive
Abram (Stern) was through at Stanford last night talking to our Mellon Workshop in New Media about net.art – here is the talk in his wiki – [link] There are many interesting matters for an archaeologist – net.art’s focus on broken bits of computer code, frequent nostalgia for older art forms, reuse of media fragments. [...]
Michael Casson – studio potter – 1925-2003
In class this morning I ran a google search for a picture of Mycenaean marine style pottery, and it turned up an obituary for Michael Casson, the studio potter. He was a giant in the world of craft pottery, a pioneer of 20th century studio ceramics, and a lovely man. He died last December. We [...]
the power of the monument – more on Dennis Oppenheim and Stanford
A bunch of comments on the veto by John Hennessy, Stanford’s President, of Dennis Oppenheim’s “Device to root out evil” from sculpture.net. Dennis was also in the New York Times this week – [Link] My blog entries – [Link] [Link] [Link] [Link]
More on Dennis Oppenheim and the Stanford art collection
Thanks to Colin Renfrew for his reaction to the decision to cancel the acquisition of Dennis Oppenheim’s “Device to root out evil”. [Link] [Link] [Link] (Colin, Lord Renfrew, chaired the committee that designed the art component of the UK National Curriculum (it was a wonderful revolution in arts teaching) and has long been a champion [...]
archaeology, Classics and contemporary art – the connections
The interest in the decision to cancel a Stanford acquisition of Dennis Oppenheim’s sculpture “Device to root out evil” is growing.[Link] [Link] Yesterday and today the New York Times has been pressing for interviews and comment – Is this censorship? What does the decision say about Stanford’s commitment to the arts? How does the art [...]
Art and the values of the University
A comment yesterday on Stanford’s decision to abandon the installation of the Oppenheim sculpture “Device to root out evil”. [Link] Why, might I ask, did you invite the Scotty (ed – Stanford’s Dean of Religious Life) into the process? What possible influence should he have on whether a work of art is or is not [...]
Dennis Oppenheim and the material power of art
I chair the Panel on Outdoor Art at Stanford – we acquire pieces for the sculpture collection and consider offers of donation. Stanford’s collection is one of the best on the west coast. Like Colin Renfrew [Link] I think there is a strong convergence of interest in materialities and time that brings together contemporary art [...]