political engagement, contemporary art, archaeology
Six Lines of Flight: Shifting Geographies in Contemporary Art has just closed at San Francisco Museum of Modern Art [Link] [Link] The topic of the exhibition – contemporary art in six “far-flung” cities not typically defined as traditional centers of the art world: Beirut, Cali, Cluj-Napoca, Ho Chi Minh City, San Francisco, Tangier. Ostensibly this is [...]
Alan Bennett’s satire – the National Trust and heritage
I am hearing a lot about Alan Bennett’s new play “People”, currently running at the National Theatre in London [Link] The setting is where he grew up – south Yorkshire UK, in a run down country house facing an uncertain future. What are it’s upper crust owners going to do to make ends meet? Sell [...]
What is (of our) human making?
I have joined the Museum Boijmans van Beuningen in Rotterdam as part of a new exhibition program. This extraordinary museum [Link] holds the largest collection of contemporary art in the Netherlands. Experiments in temporary and often provocative exhibitions, rather than permanent displays of the collection, are the museum’s specialty, and it runs over twenty a [...]
the culture of the Academy – lessons from design thinking
Across on archaeology.org Chris (Witmore) has taken issue with a comment Tim Ingold has made about the notion of a symmetrical archaeology.[Link] Symmetrical Archaeology? Like many others, Archaeologists regularly do all they can to separate what they do from what they study, their work in the present from the past, past artifacts from the stories [...]
photowork >> performed photography
As a skeptical young archaeologist back in the early 1980s I was fascinated by the connections between archaeology and photography, in archaeology’s project of documenting the remains of the past. Skeptical – I thought, and still do, that archaeology’s long links with the identity politics of nationalism and colonialism and its role in the growing [...]
Olympics opening – (in)tangible heritage
London – the opening of the 30th Olympiad A bucolic pastoral green and pleasant land succumbing to dark satanic mills, in William Blake’s vision, homage also to Tolkein’s pitting of Hobbiton against Isengard’s tower; Shakespeare’s Tempest declaimed by Brunel on the slopes of a druidic oak-toppped Glastonbury Tor; dreams of Peter Pan and Mary Poppins; [...]
time-space distanciation – past and present
We were out last night with friends. The water at the local restaurant in Palo Alto – imported from Wales, bottled in the squire’s house, Llanllyr, in the village of Talsarn, where we once lived (next to the house where Dylan Thomas wrote “Under Milk Wood”), before we moved to California.
against cultural property – heritage as design – and wellbeing
My argument [Link] that heritage is a matter of creativity and design – work done with, typically, remains of the past (tangible and intangible) – involves an argument that heritage should not be conceived as cultural property. I made this point, though rather weakly, in my entry on cultural property for The Oxford Companion to [...]
critical heritage as design
To continue the argument from my previous posts – [Link] [Link] – that heritage, the (legacy) of the past in the present, is best conceived as a process of working on the past in the present – as a process of design. I have just returned from a trip to Göteborg, that most wonderfully open [...]
public and private
Dublin. Buswell’s. I have been waiting for it to happen. I take photos of the textures of everyday life. Everyday life is under challenge. Ireland is on the brink of ruin. “We are back to the old three ‘Ps’ Michael”, someone says to me – “Pints, Ponies … and I can’t remember the third” … [...]
Heritage as design (continued)
Felipe Criado Boado (CSIC, the Spanish National Research Council and INCIPIT, the Institute of Heritage Sciences in Santiago de Compostela) is with us in the Archaeology Center for a couple of weeks. This evening he lectured about the way his new institute is approaching heritage. Heritage – the footprint of memory and oblivion – a [...]
heritage design – aspiration and redemption
Tuesday July 19, Westminster, London (This is the report on our previously noted visit – [Link]) Bianca Carpeneti and Michael Shanks visiting Alan Campbell MP at the House of Commons Our current work on the archaeological project at Binchester UK includes a major focus on cultural resource management (CRM), as it gets called in the [...]
the politics of design – the T Character revisited
Topic – how to be interdisciplinary – and more Quick recap. For some time I have been interested in the notion of the “T character” – an attitude or disposition, a skill set, that facilitates the kind of interdisciplinary practice that is the heart of good design, bridging the different expertise and interests in a [...]
landscape aesthetics – tactics (continued)
From a conversation in the Dun Cow, Durham (with Bianca Carpeneti and Chris Witmore). Topic – archaeology, ruins and the picturesque landscape. The allure, the ideology, the challenge to avoid cliché. How do we deal with archaeological landscapes today? Should I just give up photography? As a tainted medium? This is too simple a response [...]
landscape aesthetics – the politics (continued)
A conversation in the Dun Cow, Durham. To continue with the concern that I shared yesterday – the ideology of land, property and labor transformed into aesthetic form – landscape. Images that disguise history? (guilty pleasures of the sublime picturesque) [Link] It is not difficult to identify various components of this aesthetic. (I recall dealing with [...]
landscape aesthetics and the ideology of pleasure
The Dun Cow, Durham. Early evening. In conversation with Bianca (Carpeneti). My early morning runs are troubling me deeply … these encounters with a sublime picturesque [Link] [Link] [Link] Photo – dawn on Holy Island. Watercolor – J.M.W. Turner (exhibited 1829) (the castle in the background) Turner’s figures in the landscape (they are on the [...]
writing ancient Egypt
I have just received a copy of Toby Wilkinson’s Rise and Fall of Ancient Egypt. The cover endorsements are enthusiastic; the blurb is packed with hyperbole and the promise of a roller-coaster soap-opera of pomp and ceremony, corruption and decadence, rulers with all-too-recognizable human emotions, in a book that will, we are told, become the [...]
Olmec Art
“Colossal Masterworks of Ancient Mexico”, an exhibition of Olmec artifacts, is running at the de Young Museum in San Francisco. Extraordinary pieces. Extraordinary presence. It was the first time we had come across them first hand. Here the monumental heads, zoomorphic basalt thrones, engobe ceramics, jadeite celts, are gently spotlit in that subdued ambient lighting [...]
Archaeology in risk society
Chris Witmore and I have a paper in “Unquiet Pasts” – the new book from Ashgate edited by Stephanie Koerner and Ian Russell – [Link] It is my latest presentation of the argument for a living past, a transitive past, tied now to a call for attention to matters of common and pressing human concern. [...]
Mike Pearson | The Persians
Classics and the contemporary past Mike Pearson and his new production of Aeschylus Persians (National Theatre of Wales) gets a superb review in the Guardian today [Link] This is site-specific theatre with a vengeance. High up in the Brecon Beacons, in a mock-up village used by the military as a training-base, National Theatre Wales is [...]
Durham Miners Gala
Durham City UK The annual celebration of a great industry and labor movement, once a living force, now a memory, nostalgically inspiring at best, after Thatcher’s neo-liberal ideology and political spite closed all the coal mines in the UK and devastated the pit villages. More photos – [Link]
design – cultural literacy
This post is in a series of commentaries on a class running at Stanford, Winter Quarter 2010 – “Transformative Design” ENGR 231 – [Link] This evening – a group of friends and colleagues discussing education and schooling with Tony Wagner. Our warm and welcoming hosts were Joan Lonergan and John Merrow at Castilleja School. Topics: [...]
FARO – heritage futures
Faro – (Spanish, Italian, Portuguese) – lighthouse (after the Pharos of Alexandria, with its cultural beacons – the Library and Museum). Faro, Portugal – The European Convention of Faro: Framework Convention on the Value of Cultural Heritage for Society (Council of Europe, 2005) – [Link]. FARO – the NGO cultural agency/consultancy in Flanders dedicated to [...]
design and behavior
This post is in a series of commentaries on a class running at Stanford, Winter Quarter 2010 – “Transformative Design” ENGR 231 – [Link] Leslie Witt of IDEO came to talk to us about design and behavior change on January 13. Last week I also posted a comment about Banny Banerjee’s exhortation to use design [...]