George Shaws paintings

Mike (Pearson) and I are planning a new edition of our book “Theatre/Archaeology” – now 15 years old. A key topic – the documentation, description, inscription of place/event – recognizing that places are always in motion, made what they are by virtue of our engagement, happening, perception, actions performed. Mike mentioned the work of George…

chorography – media materialities

Gallery – [water pigment paper] Working on my text accompaniment to the guide to Paul Noble’s art work, on display currently at Museum Boijmans van Beuningen, has had me reflecting again on just how we might describe an encounter, in this case with a world of the imagination, a curiously enigmatic cosmopolis. (As an archaeologist…

hylography

I am preparing with Paul Noble a guide to his work, as part of an upcoming exhibition at Museum Boijmans van Beuningen. Paul’s vast drawn world (as well as sculpted material forms) – a place called Nobson Newtown (though it questions just what we mean by place) – has at its heart a kind of fontography…

Flodden Field

Today is the 500th anniversary of Flodden Field – the battle near the village of Branxton in Northumberland, just south of the Scottish border. Here is what I wrote about the site on a visit back in 2007 [Link] In the tracks of northern antiquaries, summer 2007 September 9 1513: in the low rolling hills…

Gary Devore on Fellini Satyricon

Gary (Devore) is currently presenting a superb commentary on Fellini Satyricon – that sumptuous marvel of a movie – [Link] In a daring and masterful tour de force, the director has violated every cinematographic rule by producing a film with no pace, no psychology, no stars, and no story. Gary has opened my eyes to…

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