chorography – media materialities

Gallery – [water pigment paper] Working on my text accompaniment to the guide to Paul Noble’s art work, on display currently at Museum Boijmans van Beuningen, has had me reflecting again on just how we might describe an encounter, in this case with a world of the imagination, a curiously enigmatic cosmopolis. (As an archaeologist…

Nobson Newtown – In Parenthesis

The great exhibition of Paul Noble’s work opened at Museum Boijmans van Beuningen at the weekend – [Link] An endlessly growing cosmopolis 14 June – 21 September 2014 This summer Museum Boijmans Van Beuningen will exhibit Paul Noble’s Nobson Newtown, an ever-growing cosmopolis on which the artist has worked for eighteen years. The vast drawings…

ruins – thoughts on the aesthetic

An exhibition currently at the Tate in London is exploring British images of ruin since the 18th century. Ruin Lust, an exhibition at Tate Britain from 4 March 2014, offers a guide to the mournful, thrilling, comic and perverse uses of ruins in art from the seventeenth century to the present day. The exhibition is…

theory of ruin – hylography

– the clouds take on shapes almost recognizable – the waves on the shore offer smooth gestures in the sand – the gravestone inscription weathers such that it appears to have lost all form … but not quite This is hylography – the process of emergence and disappearance, intentional or unintentional, of graphical form out…

hylography

I am preparing with Paul Noble a guide to his work, as part of an upcoming exhibition at Museum Boijmans van Beuningen. Paul’s vast drawn world (as well as sculpted material forms) – a place called Nobson Newtown (though it questions just what we mean by place) – has at its heart a kind of fontography…