materiality of the invisible

Yesterday I had the great honor to open a remarkable exhibition of artworks at the Van Eyck Academie in Maastricht. multiform institute for fine art, design and reflection Curators: Lex ter Braak, Director of Van Eyck and Huib Haye van der Werf, Head of Artistic Program. The exhibition runs through The Van Eyck Academie, Marres,…

through a glass darkly

Flowers – 2006 Crystal glass – 1976 April 2006 Boonville California – Hasselblad 503CW camera (2000), Zeiss 120mm lens (2000), Hasselblad CFV digital back (2006) April 2015 Boonville California – Leica 90mm macro lens (2015) on Leica Macro Adapter (2014) on Sony A7ii camera (2015) April 2015 Stanford California – Polaroid Time-Zero film stock (2006),…

formless – Dubuffet and hylography

Last year Paul Noble and I explored his remarkable world of Nobson New Town [Link]. Our conversation became [In Parenthesis] a kind of inventory or dictionary of topics in the way that form emerges in Paul’s drawing [Link] Here’s one of my initial reactions [Link]: In Nobson, buildings and structures give form to letters; things…

history’s ruin – the case of an automobile

This is one of a series of comments on the 8th biennial symposium “Connoisseurship and the Collectible Car” held at the Revs Institute for Automotive Research in Naples, Florida in March 2015. [Link] I’m in a workshop at the Revs Institute in Naples Florida, home of Miles Collier’s remarkable collection of cars and all things…

George Shaws paintings

Mike (Pearson) and I are planning a new edition of our book “Theatre/Archaeology” – now 15 years old. A key topic – the documentation, description, inscription of place/event – recognizing that places are always in motion, made what they are by virtue of our engagement, happening, perception, actions performed. Mike mentioned the work of George…