In Gitte and Poul’s garden

Svendborg, Funen, Denmark Denn alles Fleisch, es ist wie Grasund alle Herrlichkeit des Menschenwie des Grases Blumen.Das Gras ist verdorretund die Blume abgefallen … (Johannes Brahms – Ein deutsches Requiem (1865) Op. 45) Click on image to open gallery -> Poul, Connie, Gitte, Jan, Keith

Over your cities grass will grow

Sensitive light-touch upcycling of an old locomotive works. Curated rewilding and planting for biodiversity. Working with the past, bridging past and present. Designing landscapes with sensitivity to ecosystem. Manifestations of an archaeological sensibility and acting-with nature [Link]. The opening in 1998 of the bridge across the Storebaelt, connecting the two biggest islands in Denmark, brought…

The archaeological life of things — Bornholm

Hosts, ghosts, visitors For some years I have been making archaeological visits to Bornholm, the Danish island south of Sweden. Rock art, unique prehistoric sites and monuments, medieval settlement, churches and castles, rune stones, fishing industry, cold war relics, an arts community since the nineteenth century, contemporary heritage and tourism. The mingling remains of many…

ghost in the mirror

media archaeology More than twenty years ago I discovered the daguerreotype — one of the earliest of photographic media. Images are formed in a camera on polished light sensitive silver-plated copper—on mirrors. These are not just simply early photographs. They are unique one-off images, and positive-negative—you have to catch the mirrored surface at the right…

Archaeological shores: reflections on a metaphysics of cartography

Field notes. The pragmatics of an archaeological sensibility — what might one do in an archaeological visit to the beach? For as long as I can remember maps have made me anxious. Where does one draw the line of a coast, a road, a river? In archaeological excavation one is regularly required to document, record,…