materiality of the invisible

Yesterday I had the great honor to open a remarkable exhibition of artworks at the Van Eyck Academie in Maastricht. multiform institute for fine art, design and reflection Curators: Lex ter Braak, Director of Van Eyck and Huib Haye van der Werf, Head of Artistic Program. The exhibition runs through The Van Eyck Academie, Marres,…

Model T Ford at the Palace of Fine Arts

I was at the Palace of Fine Arts in San Francisco this morning to welcome the arrival of the Historic Vehicle Association of America in their 1915 Model T Ford – culmination of a 3600 mile drive from Detroit following the tracks of Edsel Ford who made the same road trip a century ago. He…

history’s ruin – the case of an automobile

This is one of a series of comments on the 8th biennial symposium “Connoisseurship and the Collectible Car” held at the Revs Institute for Automotive Research in Naples, Florida in March 2015. [Link] I’m in a workshop at the Revs Institute in Naples Florida, home of Miles Collier’s remarkable collection of cars and all things…

conflict-time-photography

Tate Modern, London – I have just been to the exhibition Conflict – Time – Photography [Link] The topic is how photographs connect with traumatic events and experiences, how they document such events. Here’s the review in Time Out by Freire Barnes – [Link] As we look back over 100 years since the end of…

Elevate Ensemble – presence and absence

Wonderful performance from Elevate Ensemble last night at San Francisco Conservatory. Superbly introduced and conducted by Chad Goodman. Highlight for me – a ¬†joint work “Bethlehem” by composer Danny Clay and photographer/urban archaeologist Jeremy Blakeslee Ambience and presence – in the old Bethlehem shipyards in San Francisco. Or rather absence – got me thinking again…