materiality of the invisible

Yesterday I had the great honor to open a remarkable exhibition of artworks at the Van Eyck Academie in Maastricht. multiform institute for fine art, design and reflection Curators: Lex ter Braak, Director of Van Eyck and Huib Haye van der Werf, Head of Artistic Program. The exhibition runs through The Van Eyck Academie, Marres,…

place/event – the Titanic (or not)

Places are always associated with happenings – actualities, potentialities, imaginings, documented or not. place/event Here’s a variation. In 1935-6 the liner RMS Olympic was broken up at Jarrow on the River Tyne, and hotelier Algenon Smart bought the fittings from the First Class dining room for his hotel, the White Swan in Alnwick, Northumberland. The…

returning

The past comes back to haunt in all sorts of ways. This is a key feature of the archaeological imagination. It may be something like “this happened here”, or “this was the way it was, and still is”. And, as archaeologists, as all of us do – we return, revisit, rehearse, reiterate, repeat. This familiar…

conflict-time-photography

Tate Modern, London – I have just been to the exhibition Conflict – Time – Photography [Link] The topic is how photographs connect with traumatic events and experiences, how they document such events. Here’s the review in Time Out by Freire Barnes – [Link] As we look back over 100 years since the end of…

Elevate Ensemble – presence and absence

Wonderful performance from Elevate Ensemble last night at San Francisco Conservatory. Superbly introduced and conducted by Chad Goodman. Highlight for me – a ¬†joint work “Bethlehem” by composer Danny Clay and photographer/urban archaeologist Jeremy Blakeslee Ambience and presence – in the old Bethlehem shipyards in San Francisco. Or rather absence – got me thinking again…