The past comes back to haunt in all sorts of ways. This is a key feature of the archaeological imagination. It may be something like “this happened here”, or “this was the way it was, and still is”. And, as archaeologists, as all of us do – we return, revisit, rehearse, reiterate, repeat. This familiar…
“this happened here”
Cragside, Northumberland
Scene of crime. Investigating with Mike Pearson. Home and estate of the First Lord Armstrong. Now in the hands of The National Trust.
conflict-time-photography
Tate Modern, London – I have just been to the exhibition Conflict – Time – Photography [Link] The topic is how photographs connect with traumatic events and experiences, how they document such events. Here’s the review in Time Out by Freire Barnes – [Link] As we look back over 100 years since the end of…
Elevate Ensemble – presence and absence
Wonderful performance from Elevate Ensemble last night at San Francisco Conservatory. Superbly introduced and conducted by Chad Goodman. Highlight for me – a joint work “Bethlehem” by composer Danny Clay and photographer/urban archaeologist Jeremy Blakeslee Ambience and presence – in the old Bethlehem shipyards in San Francisco. Or rather absence – got me thinking again…
Get Carter – then and now
“Get Carter” (Mike Hodges 1971) – Michael Caine’s finest movie role. Set in the North East of England. Visiting one of the locations – Blyth – once the biggest coal port in Europe, shipping 7 million tons in 1961, from these great wooden staithes, now gone, but for the jetties. Another archaeology of the contemporary…
forty years on – restaging – return – nostos
I have just received the wonderful photo book of Mike Pearson’s new work – The Lesson of Anatomy 1974/2014. On 5 and 6 July 1974, the newly founded Cardiff Laboratory for Theatrical Research (later Cardiff Laboratory Theatre) presented The Lesson of Anatomy: The Life, Obsessions and Fantasies of Antonin Artaud in the Sherman Arena Theater,…
You must be logged in to post a comment.