<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments for Michael Shanks</title>
	<atom:link href="http://www.mshanks.com/comments/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.mshanks.com</link>
	<description>all things archaeological</description>
	<lastBuildDate>Thu, 26 Jan 2012 18:25:24 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.1</generator>
	<item>
		<title>Comment on design and behavior by designing for change? &#8211; Michael Shanks</title>
		<link>http://www.mshanks.com/2010/01/design-and-behavior/comment-page-1/#comment-219</link>
		<dc:creator>designing for change? &#8211; Michael Shanks</dc:creator>
		<pubDate>Thu, 26 Jan 2012 18:25:24 +0000</pubDate>
		<guid isPermaLink="false">http://www.mshanks.com/?p=615#comment-219</guid>
		<description>[...] Human centered design has emerged through closer attention being paid to the way people get on with things &#8211; use, interaction, experiences of artifacts and their associations. This has mostly involved a focus upon psychological factors, ranging from ergonomics and ease of use, to the character of communicative interaction between people and things. The premise, implicit or explicit, is that what really matters in understanding people&#8217;s actions are these immediate experiences of perception, cognition and interaction with the material world &#8211; what should be called behavior, in contrast to action or practice, concepts that include broader factors such as agency and intentionality, and the ways that people reflect upon their own behavior. See my comments on a previous run of the class &#8211; [Link] [...]</description>
		<content:encoded><![CDATA[<p>[...] Human centered design has emerged through closer attention being paid to the way people get on with things &#8211; use, interaction, experiences of artifacts and their associations. This has mostly involved a focus upon psychological factors, ranging from ergonomics and ease of use, to the character of communicative interaction between people and things. The premise, implicit or explicit, is that what really matters in understanding people&#8217;s actions are these immediate experiences of perception, cognition and interaction with the material world &#8211; what should be called behavior, in contrast to action or practice, concepts that include broader factors such as agency and intentionality, and the ways that people reflect upon their own behavior. See my comments on a previous run of the class &#8211; [Link] [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Olivier &#8211; Le sombre abîme du temps by In theory: the death of literature &#8211; Michael Shanks</title>
		<link>http://www.mshanks.com/2011/11/olivier-le-sombre-abime-du-temps/comment-page-1/#comment-217</link>
		<dc:creator>In theory: the death of literature &#8211; Michael Shanks</dc:creator>
		<pubDate>Fri, 13 Jan 2012 08:05:31 +0000</pubDate>
		<guid isPermaLink="false">http://www.mshanks.com/?p=2452#comment-217</guid>
		<description>[...] recent comments on the new translation of Laurent Olivier&#8217;s wonderful Sombre Abîme du Temps [Link], and my own forthcoming book The Archaeological Imagination [...]</description>
		<content:encoded><![CDATA[<p>[...] recent comments on the new translation of Laurent Olivier&#8217;s wonderful Sombre Abîme du Temps [Link], and my own forthcoming book The Archaeological Imagination [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Design, RES and RESPUBLICA by Heritage as design (continued) &#8211; Michael Shanks</title>
		<link>http://www.mshanks.com/2010/09/design-res-and-respublica/comment-page-1/#comment-215</link>
		<dc:creator>Heritage as design (continued) &#8211; Michael Shanks</dc:creator>
		<pubDate>Sun, 08 Jan 2012 00:08:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.mshanks.com/?p=1329#comment-215</guid>
		<description>[...] pragmatics at the heart of design thinking, drawing upon ethnography and interpretive science [Link], is the means to pursue this [...]</description>
		<content:encoded><![CDATA[<p>[...] pragmatics at the heart of design thinking, drawing upon ethnography and interpretive science [Link], is the means to pursue this [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on artereality by Heritage as design (continued) &#8211; Michael Shanks</title>
		<link>http://www.mshanks.com/2009/10/artereality/comment-page-1/#comment-214</link>
		<dc:creator>Heritage as design (continued) &#8211; Michael Shanks</dc:creator>
		<pubDate>Sun, 08 Jan 2012 00:07:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.mshanks.com/?p=361#comment-214</guid>
		<description>[...] What makes this such a fascinating and powerful prospect is that INCIPIT is making a claim to be object-oriented, to stretch somewhat that term as it applies to software design. What I mean is that the research methodology is not taken directly from a disciplinary field such as sociology or economics, investigating, foe example, the relationship of heritage to class and demography, or analyzing the economic value of heritage sites in tourism. Instead, INCIPIT is setting out to bring together researchers, students and communities in collaborative application to actual cases of the (co-)construction of heritage &#8220;objects&#8221; &#8211; knowledges, experiences, sites, artifacts. Instead of research tasks and procedures that have their immediate origin in disciplinary methodology, INCIPIT is focused on heritage objects &#8211; practices, relationships, artifacts, representations &#8211; that collectively structure this transdisciplinary field. Practice as research [Link]. [...]</description>
		<content:encoded><![CDATA[<p>[...] What makes this such a fascinating and powerful prospect is that INCIPIT is making a claim to be object-oriented, to stretch somewhat that term as it applies to software design. What I mean is that the research methodology is not taken directly from a disciplinary field such as sociology or economics, investigating, foe example, the relationship of heritage to class and demography, or analyzing the economic value of heritage sites in tourism. Instead, INCIPIT is setting out to bring together researchers, students and communities in collaborative application to actual cases of the (co-)construction of heritage &#8220;objects&#8221; &#8211; knowledges, experiences, sites, artifacts. Instead of research tasks and procedures that have their immediate origin in disciplinary methodology, INCIPIT is focused on heritage objects &#8211; practices, relationships, artifacts, representations &#8211; that collectively structure this transdisciplinary field. Practice as research [Link]. [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Humanities &#8211; their value by hybrid Humanities &#8211; Ben Cullen &#8211; Michael Shanks</title>
		<link>http://www.mshanks.com/2011/09/humanities-their-value/comment-page-1/#comment-209</link>
		<dc:creator>hybrid Humanities &#8211; Ben Cullen &#8211; Michael Shanks</dc:creator>
		<pubDate>Thu, 29 Dec 2011 17:23:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.mshanks.com/?p=2320#comment-209</guid>
		<description>[...] its study &#8211; see my recent entry on declining numbers of students in the Humanities &#8211; [Link] also, more generally [Link]. Too many want to retrench the Humanities in letters and the arts, in [...]</description>
		<content:encoded><![CDATA[<p>[...] its study &#8211; see my recent entry on declining numbers of students in the Humanities &#8211; [Link] also, more generally [Link]. Too many want to retrench the Humanities in letters and the arts, in [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Ruin memories by Socialism in Ruins &#124; Assemblages</title>
		<link>http://www.mshanks.com/2011/11/ruin-memories/comment-page-1/#comment-207</link>
		<dc:creator>Socialism in Ruins &#124; Assemblages</dc:creator>
		<pubDate>Wed, 21 Dec 2011 15:43:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.mshanks.com/?p=2514#comment-207</guid>
		<description>[...] See Ruin memories – Michael Shanks. [...]</description>
		<content:encoded><![CDATA[<p>[...] See Ruin memories – Michael Shanks. [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on elements of a theory of ruin by Alain Schnapp and Michael Shanks&#8217; elements of a theory of ruin &#124; On R U I N S: Love and Fear, Memory and Void</title>
		<link>http://www.mshanks.com/2010/01/ruins-theory/comment-page-1/#comment-169</link>
		<dc:creator>Alain Schnapp and Michael Shanks&#8217; elements of a theory of ruin &#124; On R U I N S: Love and Fear, Memory and Void</dc:creator>
		<pubDate>Sun, 04 Dec 2011 20:05:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.mshanks.com/?p=843#comment-169</guid>
		<description>[...] a look to this interesting distillation of Vectors.   This entry was posted in Events. Bookmark the permalink.    &#8592; Festival of St [...]</description>
		<content:encoded><![CDATA[<p>[...] a look to this interesting distillation of Vectors.   This entry was posted in Events. Bookmark the permalink.    &larr; Festival of St [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on the politics of design &#8211; the &#8220;T Character&#8221; revisited by presence and authenticity &#8211; routes to civility &#8211; Michael Shanks</title>
		<link>http://www.mshanks.com/2011/09/the-politics-of-design-the-t-character-revisited/comment-page-1/#comment-168</link>
		<dc:creator>presence and authenticity &#8211; routes to civility &#8211; Michael Shanks</dc:creator>
		<pubDate>Sat, 03 Dec 2011 17:40:54 +0000</pubDate>
		<guid isPermaLink="false">http://www.mshanks.com/?p=2291#comment-168</guid>
		<description>[...] production in a way that we haven&#8217;t seen for a long while. As I was recently commenting [link], the values at the heart of this human-centered design ultimately come down to relationships [...]</description>
		<content:encoded><![CDATA[<p>[...] production in a way that we haven&#8217;t seen for a long while. As I was recently commenting [link], the values at the heart of this human-centered design ultimately come down to relationships [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Beamish &#8211; quiddities by heritage design &#8211; aspiration and redemption &#8211; Michael Shanks</title>
		<link>http://www.mshanks.com/2011/07/beamish-quiddities/comment-page-1/#comment-141</link>
		<dc:creator>heritage design &#8211; aspiration and redemption &#8211; Michael Shanks</dc:creator>
		<pubDate>Mon, 21 Nov 2011 00:56:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.mshanks.com/?p=1840#comment-141</guid>
		<description>[...] Textures of everyday life? An interior at Beamish Museum of the Living North [Link] [Link] [...]</description>
		<content:encoded><![CDATA[<p>[...] Textures of everyday life? An interior at Beamish Museum of the Living North [Link] [Link] [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Revs Program at Stanford by heritage design &#8211; aspiration and redemption &#8211; Michael Shanks</title>
		<link>http://www.mshanks.com/revs-program-at-stanford/comment-page-1/#comment-140</link>
		<dc:creator>heritage design &#8211; aspiration and redemption &#8211; Michael Shanks</dc:creator>
		<pubDate>Sun, 20 Nov 2011 21:51:28 +0000</pubDate>
		<guid isPermaLink="false">http://www.mshanks.com/?page_id=1984#comment-140</guid>
		<description>[...] in London was established to inspire industrial design. In our Revs Program at Stanford [Link] and [Link] we aim, within the context of our engineering and design schools, to create a car museum that is [...]</description>
		<content:encoded><![CDATA[<p>[...] in London was established to inspire industrial design. In our Revs Program at Stanford [Link] and [Link] we aim, within the context of our engineering and design schools, to create a car museum that is [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Archaeological project design by heritage design &#8211; aspiration and redemption &#8211; Michael Shanks</title>
		<link>http://www.mshanks.com/2010/02/archaeological-project-design/comment-page-1/#comment-139</link>
		<dc:creator>heritage design &#8211; aspiration and redemption &#8211; Michael Shanks</dc:creator>
		<pubDate>Sun, 20 Nov 2011 21:51:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.mshanks.com/?p=996#comment-139</guid>
		<description>[...] as the Faro Convention (Council of Europe 2005) (see the entries last year in this blog [Link] and [Link]), that are shifting attention to sharing and disseminating cultural assets, as much as protecting [...]</description>
		<content:encoded><![CDATA[<p>[...] as the Faro Convention (Council of Europe 2005) (see the entries last year in this blog [Link] and [Link]), that are shifting attention to sharing and disseminating cultural assets, as much as protecting [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on landscape aesthetics &#8211; tactics (continued) by landscape aesthetics &#8211; the politics (continued) &#8211; Michael Shanks</title>
		<link>http://www.mshanks.com/2011/07/landscape-aesthetics-tactics-continued/comment-page-1/#comment-138</link>
		<dc:creator>landscape aesthetics &#8211; the politics (continued) &#8211; Michael Shanks</dc:creator>
		<pubDate>Sun, 20 Nov 2011 16:50:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.mshanks.com/?p=2247#comment-138</guid>
		<description>[...] I will take up this question in another post [Link] [...]</description>
		<content:encoded><![CDATA[<p>[...] I will take up this question in another post [Link] [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on landscape aesthetics &#8211; the politics (continued) by landscape aesthetics and the ideology of pleasure &#8211; Michael Shanks</title>
		<link>http://www.mshanks.com/2011/07/landscape-aesthetics-the-politics-continued/comment-page-1/#comment-137</link>
		<dc:creator>landscape aesthetics and the ideology of pleasure &#8211; Michael Shanks</dc:creator>
		<pubDate>Sun, 20 Nov 2011 16:48:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.mshanks.com/?p=2102#comment-137</guid>
		<description>[...] More thoughts to follow &#8230; [Link] [...]</description>
		<content:encoded><![CDATA[<p>[...] More thoughts to follow &#8230; [Link] [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Design, RES and RESPUBLICA by the politics of design &#8211; the &#8220;T Character&#8221; revisited &#8211; Michael Shanks</title>
		<link>http://www.mshanks.com/2010/09/design-res-and-respublica/comment-page-1/#comment-136</link>
		<dc:creator>the politics of design &#8211; the &#8220;T Character&#8221; revisited &#8211; Michael Shanks</dc:creator>
		<pubDate>Sat, 19 Nov 2011 23:56:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.mshanks.com/?p=1329#comment-136</guid>
		<description>[...] summer, at EPIC (Ethnographic Praxis in Industry Conference) in Tokyo [Link], I suggested that we should think of the things we design as &#8230; assemblages, bundles of [...]</description>
		<content:encoded><![CDATA[<p>[...] summer, at EPIC (Ethnographic Praxis in Industry Conference) in Tokyo [Link], I suggested that we should think of the things we design as &#8230; assemblages, bundles of [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on heritage design &#8211; aspiration and redemption by cultural values &#8211; media and heritage &#8211; Michael Shanks</title>
		<link>http://www.mshanks.com/2011/10/heritage-design-aspiration-and-redemption/comment-page-1/#comment-124</link>
		<dc:creator>cultural values &#8211; media and heritage &#8211; Michael Shanks</dc:creator>
		<pubDate>Mon, 07 Nov 2011 18:36:49 +0000</pubDate>
		<guid isPermaLink="false">http://www.mshanks.com/?p=1822#comment-124</guid>
		<description>[...] [Link] &#8211; a report on our conversation with Campbell. [...]</description>
		<content:encoded><![CDATA[<p>[...] [Link] &#8211; a report on our conversation with Campbell. [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on FARO &#8211; heritage futures by heritage design &#8211; aspiration and redemption &#8211; Michael Shanks</title>
		<link>http://www.mshanks.com/2010/02/faro-heritage-futures/comment-page-1/#comment-123</link>
		<dc:creator>heritage design &#8211; aspiration and redemption &#8211; Michael Shanks</dc:creator>
		<pubDate>Sun, 06 Nov 2011 21:54:49 +0000</pubDate>
		<guid isPermaLink="false">http://www.mshanks.com/?p=943#comment-123</guid>
		<description>[...] such as the Faro Convention (Council of Europe 2005) (see the entries last year in this blog [Link] and [Link]), that are shifting attention to sharing and disseminating cultural assets, as much as [...]</description>
		<content:encoded><![CDATA[<p>[...] such as the Faro Convention (Council of Europe 2005) (see the entries last year in this blog [Link] and [Link]), that are shifting attention to sharing and disseminating cultural assets, as much as [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on cultural values &#8211; media and heritage by heritage design &#8211; aspiration and redemption &#8211; Michael Shanks</title>
		<link>http://www.mshanks.com/2011/07/cultural-values-media-and-heritage/comment-page-1/#comment-122</link>
		<dc:creator>heritage design &#8211; aspiration and redemption &#8211; Michael Shanks</dc:creator>
		<pubDate>Sun, 06 Nov 2011 21:54:32 +0000</pubDate>
		<guid isPermaLink="false">http://www.mshanks.com/?p=1829#comment-122</guid>
		<description>[...] (This is the report on our previously noted visit &#8211; [Link]) [...]</description>
		<content:encoded><![CDATA[<p>[...] (This is the report on our previously noted visit &#8211; [Link]) [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Revs Program at Stanford by Humanities &#8211; their value &#8211; Michael Shanks</title>
		<link>http://www.mshanks.com/revs-program-at-stanford/comment-page-1/#comment-80</link>
		<dc:creator>Humanities &#8211; their value &#8211; Michael Shanks</dc:creator>
		<pubDate>Thu, 22 Sep 2011 22:35:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.mshanks.com/?page_id=1984#comment-80</guid>
		<description>[...] year we are launching classes in our Revs Program [Link] &#8211; bridging the arts, humanities, social sciences and engineering using automobility &#8211; [...]</description>
		<content:encoded><![CDATA[<p>[...] year we are launching classes in our Revs Program [Link] &#8211; bridging the arts, humanities, social sciences and engineering using automobility &#8211; [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on artereality by the value of the Humanities &#8211; Michael Shanks</title>
		<link>http://www.mshanks.com/2009/10/artereality/comment-page-1/#comment-79</link>
		<dc:creator>the value of the Humanities &#8211; Michael Shanks</dc:creator>
		<pubDate>Wed, 21 Sep 2011 23:55:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.mshanks.com/?p=361#comment-79</guid>
		<description>[...] [Link] &#8211; Artereality &#8211; on the arts in the University &#8211; from Steven Madoff&#8217;s collection. [...]</description>
		<content:encoded><![CDATA[<p>[...] [Link] &#8211; Artereality &#8211; on the arts in the University &#8211; from Steven Madoff&#8217;s collection. [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on the politics of design &#8211; the &#8220;T Character&#8221; revisited by the value of the Humanities &#8211; Michael Shanks</title>
		<link>http://www.mshanks.com/2011/09/the-politics-of-design-the-t-character-revisited/comment-page-1/#comment-78</link>
		<dc:creator>the value of the Humanities &#8211; Michael Shanks</dc:creator>
		<pubDate>Wed, 21 Sep 2011 23:21:54 +0000</pubDate>
		<guid isPermaLink="false">http://www.mshanks.com/?p=2291#comment-78</guid>
		<description>[...] I just unpacked in a recent post [Link] &#8211; real issues are messy and don&#8217;t fit into disciplines &#8211; and every one that [...]</description>
		<content:encoded><![CDATA[<p>[...] I just unpacked in a recent post [Link] &#8211; real issues are messy and don&#8217;t fit into disciplines &#8211; and every one that [...]</p>
]]></content:encoded>
	</item>
</channel>
</rss>

